RIAA unveils the Gold & Platinum Awards Program to honor artists and set a commercial standard for success in the music marketplace. The program trademarks the Gold record and formalizes the industry practice of awarding artists with plaques memorializing their sales successes. Sixty years and more than 17,000 certified musical titles later—from vinyl records to cassettes to CDs to downloads to streams—the iconic Gold & Platinum brand remains the preeminent form of recognition for success in the music marketplace.
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Whitney Houston's "The Bodyguard (Soundtrack)" (RCA Records) is released and takes the world by storm. The album is now the highest certified soundtrack ever at 18X multi-Platinum. Whitney Houston is also the fourth most certified female artist with 58.5 million Album Awards across ten separate records.
Few reviews of the album itself exist. Allmusic's Keith Farley gave the album a mixed score of 3 stars out of 5, writing that it "bursts out of the gate with the opener "Dragnalus" and tears through a dozen songs of prime indie-grindcore, including "Star Spangled Hell" and "Pure Pain Sugar"".[9] Michael Azzerad and Ira Robbins of Trouser Press were more positive, writing that the album "boasts a formidable dynamic range, from the meditative instrumental "Were, Are and Was or Is," which pours sublimely chirping feedback over dappled guitar arpeggios, through the pile-driving "Pure Pain Sugar" and up to the apoplectic heights of "Lucky Acid" and the schizo noise bursts of the aptly named "Nervous Energy"". Despite criticizing Justin Trosper's vocals as "generic indie-rock holler" and the album's general lack of hooks, they found them to be "more than compensated for by the band's inventive attack (especially by Lund) and the sheer number of cool sounds and textures that festoon every track."[8]
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Today, the the full tracklisting for Cats: Highlights From The Motion Picture Soundtrack was announced! The highly-anticipated soundtrack will be released Friday, December 20, alongside the film, which is directed by Oscar-winning filmmaker Tom Hooper (Les Misérables, The King's Speech), and stars James Corden, Judi Dench, Jason Derulo, Idris Elba, Jennifer Hudson, Ian McKellen, Taylor Swift, Rebel Wilson and introduces Royal Ballet principal dancer Francesca Hayward.Cats: Highlights From The Motion Picture Soundtrack will feature Andrew Lloyd Webber's iconic songs and music, including "Memory", sung by Jennifer Hudson feat. Francesca Hayward, as well as a collaboration with global music icon Taylor Swift on the new original song she wrote with Lloyd Webber, "Beautiful Ghosts", which is available to download when you pre-order the soundtrack.The track is performed by Francesca Hayward in the film and by Swift in the film's end credits, both versions feature on the soundtrack. An official lyric video for Swift's version can also be viewed here.
Other songs on the 16-track soundtrack include the classic "Jellicle Songs for Jellicle Cats" which is performed by the cast of the film, "The Rum Tum Tugger", performed by Jason Derulo and "Macavity" performed by Taylor Swift featuring Idris Elba.Cats: The Original Motion Picture SoundtrackMusic by Andrew Lloyd WebberTracklisting:OvertureJellicle Songs for Jellicle Cats - Cast of the Motion Picture CATSThe Old Gumbie Cat - Rebel Wilson feat. Robbie FairchildThe Rum Tum Tugger - Jason DeruloBustopher Jones: The Cat About Town - James Corden feat. Jason Derulo, Cory English & Idris ElbaMungojerrie and Rumpleteazer - Danny Collins, Naoimh Morgan & Francesca HaywardOld Deuteronomy - Robbie Fairchild feat. Judi DenchBeautiful Ghosts (Victoria'sSong) - Francesca HaywardMagical GusGus: The Theatre Cat - Ian McKellenSkimbleshanks: The Railway Cat - Steven McRae feat. Robbie FairchildMacavity - Taylor Swift feat. Idris ElbaMr. Mistoffelees - Laurie Davidson feat. Robbie Fairchild, Judi Dench & Francesca HaywardMemory - Jennifer Hudson feat. Francesca HaywardThe Addressing of Cats - Judi DenchBeautiful Ghosts - Taylor SwiftOscar-winning director Tom Hooper (The King's Speech, Les Misérables, The Danish Girl) transforms Andrew Lloyd Webber's record-shattering stage musical into a breakthrough cinematic event.
When it opened, to widespread popularity and protest, 103 years ago this February, soundtrack albums were still a thing of the future. During select screenings, Griffith requested the accompaniment of a live orchestra to perform the score in theaters, one of many filmmaking innovations that became standard in the wake of the film's box-office success. A key component of the three-hour score, composed by Joseph Carl Breil, included the adaptation of antisemitic German composer Richard Wagner's triumphant "Ride Of The Valkyries" as a recurring musical phrase used during the ride of the Ku Klux Klan.
When Lamar visited South Africa in 2014, the motherland presented him with a challenge not unlike that faced by many black Americans upon setting foot in their ancestral homeland for the first time. Africa presented a profound paradox to Lamar, whose good kid, m.A.A.d city major label debut brought worldwide success but left him grappling with the desire to remain true to his Compton roots while reaching new heights.
With Black Panther: The Album, the artist became an architect. Much like the film's cast, which features actors from Zimbabwe, Kenya, Tobago, South Africa, the U.K. and U.S., the soundtrack is Pan-African in scope. In the same way that the film's hero, King T'Challa, attempts to reconcile a fragmented Wakanda, Lamar took on a similar project, helming a collaborative effort that criss-crosses continents, hops genres and cross-pollinates perspectives.
The sense of conflict experience and expressed by Coogler, and personified by the villain Eric Killmonger (Michael B. Jordan), gets equal play on the soundtrack. Lamar explores his own duality, as he did so well on DAMN., by embodying the dueling perspectives of hero ("Black Panther") and villain ("King's Dead") on various songs throughout the album.
If 1915's Birth Of A Nation, with its racist depiction of African-Americans, predicated a century-long struggle against violent white supremacy in this nation, the movie Black Panther, 100 years later, projects a new narrative with the attempted reclamation of a scattered black diaspora. Lamar's soundtrack is a necessary note in that (continuing) redemption song.
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